Posts Tagged ‘Caryl Bryer Fallert’

A Summer School Gift for You

Sunday, August 18th, 2013
color outside the wheel.indd_Page_01

Color Outside the Wheel An Ebook for you!

We’ve had a great week. I hope you’ve learned some great new ways to approach color, past picking the colors off the wheel. I need to thank Caryl Bryer Fallert, Kathy Weaver, and Susan Shie for letting me explore colors in their magificent work.

french toast

French Toast, Susan Shie

Robo Sapien Agent 4

Robo Sapien Agent 4 Kathy Weaver

Feather Study 1 by Caryl Bryer Fallert

Feather Study 1 by Caryl Bryer Faller

 I need to thank Monique, Kleinhans, Rebecca Dorian Brown, Lauren Strach, Joan Davis, and Roberta Hoover Ranney for letting me put them in places of honor on the refrigerator gallery.

 

I have the answers to your tests here. Not that that matters. The real test is, does this change how you think? What you choose? And that’s as much a test for me as for you. But here’s your answers.

Color cast is
C. whether colors lean towards the sun or the shade.

2. The color wheel is
C. a map of color relationships.

3. Differences in value
A. help us sort things visually 

4. We all recognize the same color names
B. False

5. Color temperature is about
 C. Both

6. Color theory works the same for mixing colors as picking colors.
B. False
1
7. All blues are the same.
 B. False

8. Everyone sees color the same way
 B. False

9. Differences in hues are
 B. differences in light and dark

10. Contrast
C. Pops out the figure from the ground

11. You should never use a color your hate.
 B. False

12. Color theory is
 B. A theory that works up to a point. C. 

color outside the wheel.indd_Page_01As a gift to my students. I’ve packaged up this class in an ebook you can enjoy and work with at home. Thanks for being such good students. And go color off the wheel. You can download it at issuu.com or click the picture for a link.

Next week I’m exploring the new box of Inn Fuse that Innovative Craft sent me so I can do a demo for them. And, of course, for you

Thread Magic Summer School: The Magic of Contrasts

Monday, August 12th, 2013

bradford fantasy 1Our color masterist today is Caryl Bryer Fallert.

What all art creates is a series of contrasts, in some form or another. Color theory is one way of describing those colors. We joke about plain white canvases being art because we know  that even as an art joke there’s no drama there. The ability of art to change how we think, how we feel, how we live is the point of it all. Good art changes the world. But to do that it has to demand our attention. It does that by emphasising contrasts.

We can build contrasts in a number of ways. Color is only one. We also have contrast in value, in saturation, in size, in color cast and temperature. All of those scales give us a way to separate the elements of our work. The most important separation is between field and ground.

color wheel  pattern 3When we look at the color wheel we have the map of how colors (Hues) relate to each other. The closer they are to each other the less tension there is between them. The further they are, the more tension and the more potential excitement a combination has.The colors farthest away from each other are called complements. They’re the electric voltage to most art, and they’re what we’ll look at today.

Perhaps the finest quilt color master of our time, Caryl Bryer Fallert is a master dyer and quilter. She has a gift for astonishing color, that usually encompasses the whole color wheel. All those complements at once are electric. The tones and the saturation on these colors are relatively even. All of the drama is in the change of the hues, the colors themselves. And she’s always dyed her own fabric.

These pieces romp through the whole color wheel. Doing that they place all the complements against each other. This is a winning combination, visually and at shows because it always grabs  attention.

Once we start picking and choosing colors off the wheel, the complements still s are the king combinations of these. If we are a little more aware, we can catch a bit of the feeling we get off them. We like them because they offer on.us strong visual stimulation.

Here’s some of Caryl’s work that encompasses complementary combinations

We can also take an arc of the color wheel and focus on that. Those are analogous colors. Here are some amazing pieces of Caryl’s focused in the blue/green arc.

Caryl’s astonishing work can be seen on her web site at http://www.bryerpatch.com, at her studio in Paducah, KY and in art collections and museums across the country. Make sure you see the amazing body of work she’s continued to graced us with.

We’re used to thinking about color strictly as hue. But tomorrow will look at differences in saturation and how they make it easier to separate field and ground, background and forground.

rebecca refrigerator 4On the refrigerator today we have Rebecca Dorian Brown, the creator of Dreaming Girl Highway. Rebecca is also a master colorist and she let me put up these lovely images. Dreaming girl is a series of 78 images out of her life and time set in a deck of Inner Vision Cards. Her media is computer driven and she is a master at generating depth and drama out of pixels and vectors.

Rebecca’s amazing cards are available on her web site at http://www.dreaminggirlhighway.com. Make them your visual snack on your way past the refrigerator.

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Would you like to be on the refrigerator too? Send me several quilts and your contact/web  information at ellenanneeddy@gmail.com

Classes at the National Quilt Museum

Friday, August 17th, 2012

Source: bing.com via Ellen Anne on Pinterest

There’s two really great things about quilt classes at the National Quilt Museum. One is that it’s the National Quilt Museum and the people who come to class here are spectacular. The other is that it’s the National Quilt Museum, which is the epicenter of support, information, and exposure for quilters and especially art quilters. Don’t think you won’t see spectacular traditional quilts. You will. But the art quilts there are of a caliber that makes my heart sing. It’s a bit of quilt heaven in every way.

I taught a three day class here that made my heart sing too. Astonishing students! We worked mostly on flower studies out of my new book Thread Magic Garden. But what they came up with was their very own.

 

Top it off with a lunch at Caryl Bryer Fallert’s Bryer Patch Studio.Caryl is a quilting legend whose work has revolutionized the quilt world for 30 years.  Caryl graciously had us all to lunch and showed off her latest work and her fabulous Paducah studio.

 

Here are some images from class. If you’d like to see more, check my facebook page at Thread Magic Studio.

What a class like this does is really build all kinds of skills. The luxury of three days in class (and a late evening session) means that people get to refine what they’re learning into what they do.

From my point of view, I’m still bending my head around the notion that these people have a quilt of mine in the museum. It’s still a moment standing in front of Dancing in the Light in a museum setting and saying, “Yep. That one’s mine. I’m still looking for the other Ellen Eddy who must have quilted it.

So support the National Quilt Museum either by visiting or by becoming a friend of the museum. Take lovely 3 day classes when you get the chance to really dive into a new technique with a teacher.  And celebrate this brave new world where we have real museums that support, preserve, show and educate quilters as the artists we know that we are.

You’ll find  information about the National Quilt Museum on their web site at http://www.quiltmuseum.org/.

You’ll find more information about Caryl Bryer Fallert on her web site at http://www.bryerpatch.com/

You’ll find the gallery pictures on my face book page at https://www.facebook.com/ellenanneeddy. If you’re from class and you want to tell more about those pictures, log in and you can!

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