Thread Magic Summer School: The Magic of Contrasts

bradford fantasy 1Our color masterist today is Caryl Bryer Fallert.

What all art creates is a series of contrasts, in some form or another. Color theory is one way of describing those colors. We joke about plain white canvases being art because we know  that even as an art joke there’s no drama there. The ability of art to change how we think, how we feel, how we live is the point of it all. Good art changes the world. But to do that it has to demand our attention. It does that by emphasising contrasts.

We can build contrasts in a number of ways. Color is only one. We also have contrast in value, in saturation, in size, in color cast and temperature. All of those scales give us a way to separate the elements of our work. The most important separation is between field and ground.

color wheel  pattern 3When we look at the color wheel we have the map of how colors (Hues) relate to each other. The closer they are to each other the less tension there is between them. The further they are, the more tension and the more potential excitement a combination has.The colors farthest away from each other are called complements. They’re the electric voltage to most art, and they’re what we’ll look at today.

Perhaps the finest quilt color master of our time, Caryl Bryer Fallert is a master dyer and quilter. She has a gift for astonishing color, that usually encompasses the whole color wheel. All those complements at once are electric. The tones and the saturation on these colors are relatively even. All of the drama is in the change of the hues, the colors themselves. And she’s always dyed her own fabric.

These pieces romp through the whole color wheel. Doing that they place all the complements against each other. This is a winning combination, visually and at shows because it always grabs  attention.

Once we start picking and choosing colors off the wheel, the complements still s are the king combinations of these. If we are a little more aware, we can catch a bit of the feeling we get off them. We like them because they offer on.us strong visual stimulation.

Here’s some of Caryl’s work that encompasses complementary combinations

We can also take an arc of the color wheel and focus on that. Those are analogous colors. Here are some amazing pieces of Caryl’s focused in the blue/green arc.

Caryl’s astonishing work can be seen on her web site at http://www.bryerpatch.com, at her studio in Paducah, KY and in art collections and museums across the country. Make sure you see the amazing body of work she’s continued to graced us with.

We’re used to thinking about color strictly as hue. But tomorrow will look at differences in saturation and how they make it easier to separate field and ground, background and forground.

rebecca refrigerator 4On the refrigerator today we have Rebecca Dorian Brown, the creator of Dreaming Girl Highway. Rebecca is also a master colorist and she let me put up these lovely images. Dreaming girl is a series of 78 images out of her life and time set in a deck of Inner Vision Cards. Her media is computer driven and she is a master at generating depth and drama out of pixels and vectors.

Rebecca’s amazing cards are available on her web site at http://www.dreaminggirlhighway.com. Make them your visual snack on your way past the refrigerator.

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Would you like to be on the refrigerator too? Send me several quilts and your contact/web  information at ellenanneeddy@gmail.com

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One Response to “Thread Magic Summer School: The Magic of Contrasts”

  1. Roxane Lessa says:

    I’ve always loved Caryl’s work! Thanks for hosting this cool Summer school blog!

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