Archive for the ‘Fabric Stashes’ Category
You’ll also find this tutorial on You tube
This week I have my first of three tutorials up for you on using Inn Fuse, Innovative Craft’s new fusible film. Iwas particularly excited to hear we have a new fusible film. I’ve been a Steam a Seam fan for some while, but since there’s been trouble getting Steam a Seam I’ve had to rethink how I work. There are several things that really mattered to me. Like release paper and the ablity to reposition my pieces. So when Inn Fuse came out, I was estatic to find a product with both those properties. I talked about this in an erlier post called A Box full of Rocks. Inn Fuse has those properties and some very fine virtues all it’s own.
But whenever we have new products, they change how we work, how we think and what is possible. And there are some differences.
Inn Fuse is a lot stickier. It’s based on a nail polish remover solvent instead of an alchohol base solvent. It can be run through an ink jet printer. And it’s amazing for all kinds of sheers as well as for cottons. Of course, it takes a little special handling.
So in the interest of not giving you a recipe for a cake that won’t rise, I’ve put three tutorials up. This one we’ll build a background on hand dyed cotton using all kinds of sheers and Inn Fuse.
Here’s some of suggestions for using Inn Fuse:
- Use teflon scissors:
- Back your fabric with the release paper to make your cutting easier.
- Use a pin to separate the glue from the paper
- Use a discardable piece of cotton as your pressing cloth.
- Iron thoroughly at a medium heat.
- Don’t be afraid to be sheer! I used lace, tulle, organza, glitter organza, cheesecloth and oriental brocade. It worked on them all.
I’ll put up the next two segments over the next couple weeks. Look for them there.
You’ll find more information about Inn Fuse at Innovative Crafts.
You’ll find teflon Scissors at Havel.
You’ll find me in studio cutting a whole bunch of dragonflies to be fused.
I ‘ve always been amazed at quilters. I’ve had many people over the years who have told me that what I do is art and I should strictly teach it to artists. That’s only partially true. What I do is art. What we all do, in our own way in creating our lives and worlds is art. And quilters are the finest community of the creative world I know. They also have, over the years, created the best education system for themselves that I know of. Quilt guilds are the only group of creative people I know who have an education system where you can learn from the best experts in the field directly, in short affordable subsidized classes. Or that support the artists in their field.
Last week I went to you as quilters for help. You overwhelmed me with your kindness and your generosity. I’ve sold a number of small works and am in the process of destashing my studio to pay for my latest batch of medical bills.
It continues on. I’m still in process. There’s still mountains of fabrics in the studio. And the bills are still being figured. I’m not out of the woods yet. But I feel so much better knowing how kind and decent the people I’ve worked with are.
I’ve continued to put up more work at deeply discounted prices on the Etsy Shop. Those prices will be reflected on the web site as well.
I also have some amazing kits and scrap bags I’m putting together.
Most people know I’m a hand-dye junkie. I’ve dyed fabric for years and prefer my own because it gives me the light sources and landscapes I find vital for my work. I do dye fabric for people, when asked.
But I also have a mountain of collected sheers and prints. The prints are largely from my apron collection. I have, surprise to no one, a serious need for Kay Fasset and Alexander Henry prints. And a passion for Halloween fabric.
Please come visit. I’m putting up new things each day.
And thank you for the support and love you’ve always given me as a fellow quilter. You are the best people on earth.
Ellen Anne Eddy
So many of us have astonishing stashes. My favorite stash story is about a woman who’s husband just built her a sewing room . He said” I bet you have as much as $100 worth of fabric.” God bless the ignorant. And long live her stash.
So we keep fabric we haven’t used. Sometimes for quite some while. I have a 20 year old piece of black wool myself. I just felted it. I just got a felting machine this year. And I’m delighted I still have it.
So it was with equal delight I saw that Tina Rathbone had blogged on a piece of fabric she dug out that we shopped for over 10 years ago. Tina is a California lunatic who quilts brilliantly, water colors beautifully, and bird watches obsessionally.
It couldn’t have happened if she hadn’t aged her fabric.
I think the things we love change much more slowly than the technology and abilities that come and go through the sewing world. If you love big bugs and fish, it’s unlikely (and I know this from experience) to completely go away unless you’ve had a truly unfortunate vacation experience.
The other truth is that fabric is ephemeral. You often really only see it once. Some companies reproduce the same designs over and over. But it’s not the normal practice. Often you have just one chance to buy that silly thing. I still am grieving the robots over Manhattan fabric I gave to someone. I’ve never seen it since and it was fabulous!
Of course we all cull fabric.There’s never room enough and time. And it’s a great thing to give someone a stack of new possibilities. Although I had one dear friend who would announce the fabric she was bringing over to me with the word, “Incoming!” And it was sort of like that. Fabric Explosion!
So age your fabric well. If you love it, you’ll still love it. Toss what you don’t. Keep what you adore. And wait for the moment where it’s right.
You’ll find Tina’s delightful process on pattern making on her blog at Artelicious.blogspot.com
You’ll find amazing fabric everywhere. But most especially, in your stash! It’s material wealth!